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A Roland Fantom is a substantial purchase, and for a great many working musicians the reason to want one comes down to a handful of specific sounds rather than the whole instrument. Fantasy exists for exactly that situation.
Created by Brazilian developer Júnior Porciúncula, it is a Kontakt library assembled around Fantom tones — the V-Piano and SuperNATURAL piano engines, and the pianos from the classic JV-1080. The stated aim is to make those tones available to players who do not own the keyboard.
Coverage extends past acoustic piano. Acoustic Piano Expansions sit alongside Rhodes and Wurlitzer electric piano tones and a set of virtual analog leads, adding up to 105 distinct timbres across roughly 7.65 GB.
Two practical points matter for buyers. The library targets Kontakt 5.6.6 or higher, which is an old enough baseline that most existing installations qualify. And the developer updates it regularly, with future enhancements included at no extra cost — an unusual commitment at this scale.
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Workstation keyboards create a peculiar problem for producers. The sounds that define modern gospel, worship and Brazilian contemporary music largely come from a small number of Roland instruments, and those sounds are difficult to reach any other way. Software substitutes usually approximate the general category — a bright layered piano, a warm electric — rather than the specific timbre a player is actually hearing in their head.
Fantasy takes the direct approach. Júnior Porciúncula, a Brazilian developer with a catalogue of workstation-derived Kontakt libraries, built it around the tones of the Roland Fantom. The explicit purpose is to serve musicians who either do not own a Fantom or cannot justify buying one, while still needing those sounds available in a session.
The content spans several distinct Roland engines. V-Piano and SuperNATURAL provide the modern acoustic piano material. The JV-1080 contributes its pianos, which carry a particular late-nineties character that remains in demand. Around these sit Acoustic Piano Expansions, Rhodes and Wurlitzer electric piano tones, and virtual analog leads — 105 separate timbres in total, occupying about 7.65 GB.
It runs in Kontakt, and the developer states compatibility from version 5.6.6 upward.
Specificity is the argument. Generic piano libraries are abundant and many are excellent, but a producer working in a genre defined by particular workstation tones is not looking for an excellent generic piano. They need the sound their reference tracks are using, and this library targets that directly.
Breadth within a coherent identity is the second point. One hundred and five timbres spanning acoustic pianos, electric pianos and analog leads is enough to cover most keyboard duties in a production, and because everything comes from a related sonic family the sounds sit together naturally without the mismatch that arises from combining libraries by different developers.
Third, the update policy. The library is revised regularly and existing owners receive future enhancements at no additional cost. For a sample library, where content growth is the main form of improvement, that is a meaningful part of the value.
Fourth, accessibility of the technical baseline. Requiring only Kontakt 5.6.6 or higher means studios running older installations are not forced into an upgrade, and the developer notes the library works from conventional hard drives as well as SSDs.
The purchase provides the complete Fantasy library — all 105 timbres across the acoustic piano, electric piano and analog lead categories — as Kontakt instrument files with their associated sample content, totalling around 7.65 GB.
Ongoing updates are part of the package. The developer also maintains a separate library, Synthage, focused on layered sounds and modulation effects; the two are sometimes offered together, so check which configuration applies to your purchase.
One item to confirm before purchasing: whether the library runs in the free Kontakt Player or requires the full retail version of Kontakt. Libraries produced outside Native Instruments’ official Player programme typically need full Kontakt, and this distinction determines whether an additional purchase is necessary. The developer can confirm this directly.
Batch resave is worth running once even if nothing appears broken. It shortens load times noticeably on libraries of this size.
Because it runs inside Kontakt, Fantasy inherits Kontakt’s host compatibility — which is to say virtually everything. Logic Pro, Ableton Live, Cubase, Studio One, Pro Tools, FL Studio, Reaper and Bitwig all host Kontakt on macOS and Windows, so the library is available in any of them.
The low version floor is the practical advantage. Many current libraries demand recent Kontakt releases, forcing an upgrade before the content can even be loaded. Supporting 5.6.6 means installations several generations old remain viable.
Producers seeking deeply sampled concert grands recorded in a concert hall are looking at a different category of product. Fantasy captures workstation voices, which is a distinct thing with distinct strengths.
Having the whole range in one library removes a repeated search. When acoustic piano, electric piano and lead material all come from separate developers, choosing a sound means opening several browsers and comparing across inconsistent interfaces. A single Kontakt library with 105 related timbres turns that into scrolling one list.
Tonal consistency also reduces mix work. Sounds captured from the same source family share broadly similar frequency balance and stereo behaviour, so layering a pad under an electric piano needs less corrective EQ than combining patches from unrelated collections.
For anyone who owns a Fantom, the practical gain is different again: parts can be written and revised in the box without setting the hardware up, and the arrangement stays recallable in the project file rather than depending on a physical instrument being patched the same way six months later.
A Kontakt sample library by Júnior Porciúncula built around Roland Fantom tones, aimed at musicians who want those sounds without owning the keyboard.
105 distinct timbres.
Approximately 7.65 GB.
V-Piano and SuperNATURAL pianos, plus the pianos from the JV-1080.
Yes — Rhodes and Wurlitzer tones are included alongside the acoustic material.
Yes, a set of virtual analog leads is included.
Kontakt 5.6.6 or higher.
Confirm this with the developer before purchase. Libraries outside Native Instruments’ official Player programme generally require full Kontakt.
No. The developer states the library works from conventional hard drives as well as SSDs, though an SSD will load faster.
Yes. The library is updated regularly and existing owners receive future enhancements at no additional cost.
No. It is an independent library created by Júnior Porciúncula that captures tones associated with the Fantom.
Any host that runs Kontakt, which covers essentially all current macOS and Windows DAWs.
Use Kontakt’s batch resave function pointed at the library folder to rebuild the sample references permanently.
Yes, including Synthage, which focuses on sound layering and modulation effects.
Libraries like this one succeed or fail on whether they hit a specific target, and Fantasy’s target is clear: players who need Roland Fantom voices and have decided against buying the instrument. Judged against that brief, 105 timbres spanning V-Piano, SuperNATURAL, JV-1080 pianos, Rhodes and Wurlitzer electrics and analog leads is thorough coverage.
The undemanding Kontakt 5.6.6 baseline and the free-updates commitment both work in the buyer’s favour, particularly for musicians running older studio setups. Confirm the Kontakt Player question before purchase and the rest is straightforward.
Further sampled content is grouped under Kontakt Libraries and Samples & Presets, with software instruments under VST Instruments.
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