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Serum 2 changed what a preset pack can contain. The addition of multisample and single-sample oscillators means a patch is no longer limited to wavetables and noise — it can carry recorded material as a playable instrument, mapped across the keyboard.
VOXIS is built around that capability. Preset Pros supplies 500+ vocal synth presets, but the more significant inclusion is the raw material underneath them: 20 custom-built multisample instruments and 60+ all-new vocal wavetables, generated from an original library of vocal recordings.
Coverage runs across playable vocal chops, vocal leads, basses, pads, keys, plucks and evolving soundscapes. Every preset carries assigned macros, so the main character controls are available without opening the modulation matrix.
The distinction matters when comparing packs. A preset library gives you 500 finished sounds and stops there. A library that also supplies wavetables and multisample instruments gives you working components for patches nobody has built yet, which keeps returning value long after the presets themselves have become familiar.
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Turning the human voice into a synthesiser has historically meant one of two compromises. Either you sample a vocal and lose the ability to shape it beyond filtering and pitch, or you approximate vocal formants with conventional oscillators and end up with something that suggests a voice without ever sounding like one.
Serum 2 removed a good deal of that tension. Its multisample oscillator reads the open SFZ format and plays sampled material across the keyboard the way a dedicated sampler would, while the single-sample oscillator adds looping, crossfades, snap-to-beat and auto-slicing. Crucially, both sample modes still run through Serum’s warp engine, filters, modulation and effects. Recorded vocal material can now be processed with the same tools that shape a wavetable.
VOXIS is a Preset Pros library built specifically for that architecture. Alongside 500+ presets it ships 20 custom multisample instruments and more than 60 vocal wavetables, all generated from an original recording library rather than adapted from existing sources.
Sound categories span playable vocal chops, vocal leads, basses, pads, keys, plucks and soundscapes, with macros mapped on every patch for immediate control.
Supplying the source material is the strongest argument for this pack over a conventional preset collection. Wavetables and multisample instruments are building blocks, not finished sounds, which means their usefulness is not exhausted by the 500 patches that ship with them. Load a vocal wavetable into your own patch and it becomes part of work that has nothing to do with the presets.
Second, the library was recorded for this purpose. Vocal wavetables assembled from library samples inherit whatever room, processing and pitch drift came with the source. Building from purpose-made recordings yields cleaner, more consistent material across the set.
Third, breadth across roles is unusual for a vocal-focused pack. Most stop at chops and pads. Providing vocal-derived basses and keys extends the material into parts of an arrangement where you would not normally expect a voice to be the source, and those tend to be the sounds that give a track its signature.
Fourth, macro assignment on every patch is a workflow decision rather than a sound design one, and it is the difference between a preset you audition and a preset you play. Being able to shift character with one control keeps you in the arrangement instead of in the synth.
The download contains the 500+ preset files, the 20 multisample instruments, the 60+ vocal wavetables and the underlying vocal sample library.
Serum 2 is required and not included. This pack depends on the sample oscillators introduced in version 2, so it is not a Serum 1 library — that dependency is what allows the multisample instruments to exist at all.
Requirements follow Xfer Records’ published specification for Serum 2:
Two practical notes. Multisample instruments load audio into memory, so patches built on them cost more RAM than wavetable patches do. And Serum 2 has been reported to use more CPU than Serum 1 on comparable material — if a patch strains your system, reducing voice count is the usual first move.
Folder structure matters more here than with a preset-only pack. Presets that reference multisample instruments need those files where the patch expects them, so unzipping everything to the correct locations in one pass avoids a set of patches that open with missing content warnings.
Serum 2 runs as VST3, AU and AAX in 64-bit hosts on Windows and macOS, covering Ableton Live, Logic Pro, FL Studio, Cubase, Studio One, Reaper, Bitwig and Pro Tools. VOXIS works anywhere Serum 2 works.
The Serum 1 question has a clear answer: no. Multisample instruments rely on oscillator modes that only exist in Serum 2, so the pack cannot be made to work in the earlier version. Backwards compatibility runs one way — Serum 2 opens Serum 1 presets, not the reverse.
Anyone still on Serum 1 should treat this as a reason to upgrade rather than a purchase to make now. The pack’s central content simply will not load.
Keeping vocal material inside the synthesiser removes an entire routing problem. The alternative — audio clips on a track, feeding a chain of effects, triggered by a sampler — means the vocal is not modulatable in the way a synth voice is. Inside Serum, an LFO can move filter cutoff on a vocal multisample exactly as it would on a wavetable, and the whole sound stays under MIDI control.
Having the wavetables separately also compounds in value over time. Presets get used and eventually feel familiar; raw wavetables keep producing new results because they combine with whatever else you build. A pack that ships both is still useful long after its patches have become recognisable.
Macro control accelerates the audition stage too. Judging 500 presets is slow if each requires opening panels to find out what it does. When one knob moves a patch across its useful range, the decision takes seconds and the browsing stops interrupting the writing.
More than 500, spanning chops, leads, basses, pads, keys, plucks and soundscapes.
No. The multisample instruments require oscillator modes introduced in Serum 2.
Twenty custom instruments built from vocal recordings and mapped across the keyboard for Serum 2’s multisample oscillator.
Yes. The 60+ vocal wavetables install into Serum’s wavetable browser and work in any patch you build.
Preset Pros describes the sample content as all-new and built for this pack.
Yes, macros are assigned across the library for immediate character control.
No. It must be owned separately from Xfer Records.
Serum 2’s multisample oscillator reads the open SFZ format, which is what makes user-supplied instruments possible.
Yes, they are mapped for performance rather than fixed as static one-shots.
Multisample patches load audio into memory, so they cost more than wavetable-only patches. Allow headroom in large sessions.
Any 64-bit host running Serum 2 in VST3, AU or AAX — which covers essentially every current DAW.
Review the licence included with the download for the specific terms that apply.
Into Serum’s Tables directory, alongside the factory wavetable content.
No. Vocal-derived basses, keys and plucks are useful in arrangements with no vocal presence at all.
Judged purely on preset count, this looks like a large but ordinary library. The interesting part sits underneath: wavetables and multisample instruments that remain useful once the presets have been absorbed into your habits.
Serum 2’s sample oscillators opened a category that did not previously exist — packs that extend the synthesiser rather than just configuring it. VOXIS is built for that category, which is also why it will not work in Serum 1, and why the dependency is worth accepting.
Further sound content sits under Samples & Presets, with synthesisers under Synth Plugins and sampled instruments under VST Instruments. Pack details are published by the developer at preset-pros.com.
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