The Very Loud Indeed Omnisphere Presets Bundle brings together 15 cinematic Omnisphere soundsets containing 1,800 patches created from custom-recorded sound sources. The collection covers a broad range of atmospheric, cinematic, electronic, organic and experimental sounds for composers and producers. The bundle includes Omnisphere Saga, Mirai, Corvus, Cobalt, Cima, Snowfall, Gunk, Specto, Niebla, Fjall, Virtaus, Grotto, Altura, Irazu and Grafos. It requires a licensed copy of Omnisphere 2.8 or newer and is compatible with Omnisphere 3.
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The Very Loud Indeed Omnisphere Presets Bundle is a large collection of cinematic and creative soundsets designed for Spectrasonics Omnisphere.
Rather than being a single preset expansion, the bundle combines 15 different Omnisphere soundsets into one extensive collection containing 1,800 patches and custom-recorded sound sources. The official product page describes the bundle as including Omnisphere Saga, Mirai, Corvus, Cobalt, Cima, Snowfall, Gunk, Specto, Niebla, Fjall, Virtaus, Grotto, Altura, Irazu and Grafos.
The result is a broad sound-design library covering cinematic textures, atmospheric sounds, electronic tones, organic materials, experimental patches and other production-focused sounds.
The Very Loud Indeed Omnisphere Presets Bundle is a collection of 15 Omnisphere soundsets created by The Very Loud Indeed Co.
According to the official product listing, the complete bundle contains 1,800 patches with custom-recorded sound sources. The company also notes that the bundle can change in size as additional Omnisphere products are added to its store.
This makes the bundle particularly useful for producers and composers who want a large variety of professionally designed Omnisphere sounds rather than purchasing individual soundsets separately.
The headline feature of the bundle is its 1,800 patches.
With such a large collection, producers can explore different sonic directions without repeatedly relying on the same small group of presets.
The library can be useful when searching for starting points for melodies, pads, transitions, atmospheres, cinematic cues, electronic arrangements and experimental sound design.
The current official bundle listing includes 15 soundsets:
The official store lists these soundsets as part of its Omnisphere collection.
One of the important characteristics of the collection is its use of custom-recorded sound sources.
The Very Loud Indeed Co. describes the bundle as containing patches with custom-recorded sources rather than simply presenting a collection built around generic preset programming.
This approach gives the soundsets their own sonic identity and provides producers with more unusual material to work with.
Omnisphere Saga is one of the soundsets included in the bundle.
The official product information describes Saga as a collection of 120 cinematic patches using 121 exclusive sound sources created specifically for the soundset.
Its source material is based around organic recordings, including various string instruments and other acoustic sources, which were heavily processed to create unusual cinematic textures.
Saga can therefore be particularly useful when a production needs organic character rather than conventional synthetic sounds.
Mirai brings a different direction to the collection.
The official product page describes it as 120 cinematic patches using 128 exclusive sound sources and highlights cyberpunk and retro-electronic influences.
Unlike conventional Omnisphere patches that may rely heavily on oscillator waveforms, Mirai is described as being completely sample-based, using complex wavetables created from other synthesizers and then transformed into new sound sources.
Cima is another cinematic soundset included in the bundle.
The official listing describes Cima as containing 120 cinematic patches and 122 exclusive sound sources. The soundset focuses heavily on processed organic recordings and is positioned for tension, dark drama and horror-oriented scoring.
This makes it an especially interesting component for composers working on darker material.
The major advantage of combining these soundsets is variety.
Different collections within the bundle approach sound design from different directions, meaning producers can move between organic recordings, synthetic textures, darker cinematic sounds and more experimental material.
This makes the complete bundle suitable for a wide range of scoring and music-production situations.
The Very Loud Indeed Co. positions its catalog around sound design for composers.
The company’s official website describes its mission as creating sample libraries and synthesizer soundsets for composers worldwide and highlights work associated with film, television and games.
The Omnisphere Bundle therefore fits naturally into cinematic composition workflows.
The large variety of patches can be useful when scoring film and television.
Cinematic pads, textures, unusual tonal sounds and evolving material can help establish atmosphere without requiring extensive sound design from scratch.
The collection can provide starting points for tension, mystery, drama, action, emotional scenes and transitional moments.
The same characteristics can also work well for game music.
Game composers often need a broad palette that can cover different moods while maintaining a consistent sonic identity.
The multiple soundsets in this bundle provide a large collection of material that can be explored for different environments, characters, transitions and gameplay situations.
The bundle is not limited to film scoring.
Several of the soundsets also explore electronic and synthesized sound design, making the collection useful for electronic producers looking for more distinctive Omnisphere patches.
The contrast between organic and synthetic sound sources can also be useful for hybrid productions.
Pads and textures are natural applications for this type of sound library.
Long-form atmospheric sounds can provide a background layer underneath vocals, percussion, melodies and other instruments.
They can also be useful for intros, breakdowns, bridges and transitions.
The custom sound sources give producers opportunities to explore sounds outside traditional instrument categories.
Instead of searching only for conventional basses, leads or keys, users can experiment with unusual textures and cinematic material.
This can help create a more distinctive sonic identity.
Some individual soundsets in the collection make extensive use of the Omnisphere modulation wheel.
For example, The Very Loud Indeed Co. specifically notes that the modulation wheel can completely transform certain patches in soundsets such as Mirai, Cima and Saga.
This makes the patches more interactive than simple static presets.
Producers can perform changes in real time while recording MIDI or automation.
The official bundle listing states that the collection requires a licensed copy of Omnisphere 2.8 or newer.
It is also compatible with Omnisphere 3.
Omnisphere itself is not included with this sound bundle.
Users who have upgraded to Omnisphere 3 can use the included soundsets.
The official product listing specifically confirms compatibility with Omnisphere 3.
The Very Loud Indeed Omnisphere Presets Bundle is particularly suitable for:
Buying individual soundsets can make sense when a producer needs one specific sonic direction.
The complete bundle makes more sense for users who want a broad collection.
With 15 soundsets and 1,800 patches, the bundle provides substantially more variety than any individual expansion.
It can also make it easier to move between different production styles without leaving Omnisphere.
The Very Loud Indeed Omnisphere Presets Bundle is a substantial collection for Omnisphere users who want cinematic, atmospheric, organic and experimental sound design in one package.
With 15 soundsets, 1,800 patches and custom-recorded sound sources, it offers a large palette for composition and production.
The variety between soundsets such as the organic-focused Saga, cyberpunk-influenced Mirai and darker Cima makes the collection particularly useful for composers who regularly need different sonic moods.
For users with a licensed Omnisphere 2.8+ or Omnisphere 3 installation, the bundle provides a deep collection of sounds that can be explored for film, television, games, electronic music and experimental production.
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